- #Swit s 2610 flexible led panel portable#
- #Swit s 2610 flexible led panel windows#
To find out more about the Swit 2610 Flexible Light Panel please take a look HERE.
The control box provides A, B, C, D 4 wireless channels, and you can set several S-2610 lights at the same channel, so that you can control all the lights by any of the control box. The S-2610 supports 2.4G wireless networking. The S-2610 supports 11-17V 4-pin XLR DC input, and equipped with a battery plate to power by V-mount battery. Touch up/down buttons to control.ĭC 11-17V Power Supply – By V-Mount Battery / AC-DC Adaptor The S-2610 control box is equipped with an LCD panel, to display dimmer value, colour temperature value, battery status and wireless channel.
LCD Screen Display – Dimmer / Colour Temperature Value The normal LED light has 80-85 CRI or TLCI, while S-2610 offers the super high CRI at 97 and TLCI at 97, and will not lost the object original colours. And TLCI (Television Lighting Consistency Index) is special for the colour reveal ability by camera sensor. High Colour Reveal Ability – CRI Ra≥97 TLCI≥97ĬRI (Colour Rendering Index) is a measure of the ability of a light source to reveal the colours of various objects faithfully in comparison with a natural light source.
The S-2610 alternated with 5600K and 3200K LEDs, and the output color temperature can be continuously adjustable between 3200K and 5600K. The S-2610 outputs 100W power, feeds 2400Lux luminance at 1 meter distance (center), supports 0% to 100% PWM digital dimming, smoothly and non-flickering.īi-Colour Temperature – 3000K-5600K Continuously Adjustable And the fabric is easy to clean by water. The flexible fabric has rain-proof cover to protect the LED from water during outdoor using.
#Swit s 2610 flexible led panel portable#
Portable X bracket for lighting tripod mounting. Support DC / V-mount battery 11-17V input. Separate controller with LCD touch screen FL-C100D 100W Bi-color Fanless Studio Fresnel Light 998.00EUR. 504pcs ultra bright surface mounted LEDs. Extra – You could also use fill Light, negative fill, reflectors or bounce fill to light & model your subjects.The S-2610 is a flexible LED light with 504pcs SMD surface mounted LEDs, and can be curved to any shapes to output 10°-360°various lighting angles, which can be widely used on field video production especially the lighting in narrow space. #Swit s 2610 flexible led panel windows#
Motivated lighting – In a simple term, these are just lights that make logical sense. I placed gelled led lights in the background for stylistic purposes but a good example could be this, doing a three-point lighting set up with daylight balanced lights when filming near windows or glass doors. This makes sense because the viewers can see the motivation for your light source. Key light – The key light is your brightest light and your motivated light source. It’s much preferred to use a soft light rather than a hard light when lighting interview because your subject will not squint as much as looking into a hard light. Backlight – This helps to separate the subject from the background and also provides a little bit of light off the subject’s cheekbone. Most of the room lights cast unwanted shadows under the eyes, nose, and chins of the subjects and most of these room lights are set at a different WB temperature to your lights. Controlled light – It’s always best to turn off the room light and use your own lights. The lights are diffusedĪs I said from the beginning, the way you light an interview will depend on your desired look. So, what I’ve done here may not be the same as your setup but the method is still similar. This was placed directly in front of the subject and the light I used was a ( SW IT S-2610 Flexible LED Panel 60x40cm, Bi- Colour and Flexible ) I wanted some color and also wanted the drum kit to be seen. So, I added more of those LED lights and placed Red & Blue gels onto them.įinally, the key light. I noticed that the background was way too dark. The light was placed slightly off to one side. This was just to add a little bit of light to his cheekbone. The lights used was just a standard LED light. Set at 5600K and at full power. Without it, he would have just blended in. Panel Swit S-2610 540 LEDs Bicolor Luz Flexible Alimentacion a Red/V-Mount CRI 97. This was to separate him from the black piano as he was wearing a black hoody & also sitting in front of that dark object. Ventana octogonal Linkstar plegable 110cm + Panel de Abeja. This is because I’ve set the cameras WB to 5600K and this is to match the daylight balanced lights which I’ll be using. Hence why these lights look orange as they are tungsten. El S-2630 es un panel flexible de iluminación LED con 756 LEDs SMD. For this setup, I was after a dark look mainly because of clothes my stand-in wore so low light and a lot of shadows.įirst of all, I wanted a controlled lighting setting so I switched the lights off. The way you light an interview will depend on your desired look.
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